I am at once overwhelmed, enthralled and fighting back tears.
@EcceHumanitatis
Жыл бұрын
It really is surpassing, isn't it?
@EcceHumanitatis
Жыл бұрын
Thank you for posting this. Utterly fantastic in every way.
@larbaud
6 ай бұрын
The best.
@user-tv3bu9jd3v
9 ай бұрын
I think Ralph Gomberg has the most beautiful oboe sound in the world. It was fun to see Joseph DePasquale lead the violas on the outside of the stage. The viola tone color is so important in Ravel's orchestration. Ravel's Daphnis and Chloe show the Boston Symphony at their finest. Nobody can touch this. I wonder where Doriot Anthony Dwyer was. She was my favorite flutist. She was from Streator, Illinois.
@Wagnerian197901
5 жыл бұрын
Superb performance in superb stereo sound. Thank you!!
@philippesimon566
10 ай бұрын
Sublime !
@zigzag2510
Жыл бұрын
Veramente fantastico; la miglior resa orchestrale della pallette di colori di Ravel. Anche la sua Pavane è la più bella che abbia ascoltato
@zinam5795
5 жыл бұрын
It was "belle epoche" for BSO, especially with French music .... C.Munch was the BEST....!
@gabrielkaz5250
4 жыл бұрын
Belle Époque* Merci
@zinam5795
Жыл бұрын
I forgot my school French--thanks for your correction!
@david_satz
3 жыл бұрын
The clarinet section here was Gino Cioffi, my teacher the late Felix Viscuglia (long before he was an actual member of the Orchestra), Pasquale Cardillo (Eb) and Rosario Mazzeo (bass). It's a little amusing that the camera operator kept zooming in on the first clarinet whenever there was about to be an Eb clarinet solo; the Eb player was sitting at the whole other end of the section.
@duvidl
2 жыл бұрын
It appears that two of the principals of the BSO didn't make this trip: Roger Voisin, trumpet and Doriot Anthony Dwyer, flute.
@EcceHumanitatis
Жыл бұрын
@@duvidl Also Joseph Silverstein, the Concertmaster. That's Richard Burgin, the assistant concertmaster, playing the violin solo.
@duvidl
Жыл бұрын
@@EcceHumanitatis Richard Burgin is the Concertmaster here seated next to him is Alfred Krips, the Asst. Concertmaster. Silverstein is seated at the third desk next to Rolland Tapley. Silverstein became Concertmaster two years later (1962) when Burgin retired after 42 years as Concertmaster and Leinsdorf became Music Director.
@EcceHumanitatis
Жыл бұрын
@@duvidl Thanks for the clarification!
@kimsteel366
6 жыл бұрын
Ack!! That last movement, though.. Super lit and super WOW!! Epic performance!!
@schwei56
4 жыл бұрын
A bacchanale like no other, before or since, *avec un soupçon en plus de feu,* than was ever offered in Symphony Hall, Boston.
@MuzBuz
4 жыл бұрын
That's his cake.
@user-ur1ke5zc3j
2 ай бұрын
夢のなかで戯れてるような感じです。
@erick-gd7wo
5 жыл бұрын
I know maestro Munch from his Debussy and other Ravel, displayed a strong rhythmical character and bit quick tempo. But here, maestro blended a high degree of precision and a very flexible tone colour. This feat is new to me. I love his Bolero for its maddening impression towards the climax. BTW, the bnw pic contrasted so immensely with audio quality which has a wide dynamic range and perfectly natural stereo.
@MuzBuz
5 жыл бұрын
The sound track in the original film was replaced. See the technical notes: i.ibb.co/2NbwGRp/tech-instr-BSO1960.jpg
@zinam5795
2 жыл бұрын
Unbelievable unique Sense of Music 🎶🎶🎶
@itistheflute5873
2 жыл бұрын
7:41 - 9:18 James Pappoutsakis; what projection, what tone, what sonority... , it is simply some of the best fluteplaying ever. On par with Fernande Dufrene arond the same time in the Orchestre National de France.
@richardvolet3970
7 күн бұрын
Laurent was still playing on the fantastic 1959 recording. I guess this was in between, before O'Dwyer took over. That 59 recording and this are amazing. Munch was so great...you can see how beautifully clear he was. His Debussy Afternoon of a Faun is also amazing, much faster than usually heard. Maybe he knew then about the score Debussy had marked with his tempi, in preparation for the final edition of huis lifetime. These were the early stereo recordings, usually with just three microphones, achieving a true orchestral sound, so unlike almost all modern multi-miked, highly engineered recordings. The orchestra is amazing, so dynamic, and the recording captured that!!! Is that O'Dwyer sitting next to P., playing second flute?
@richardvolet3970
6 күн бұрын
Watching more...definitely not O'Dwyer sitting 2nd flute. Anyone know who?
@douglasmurphy9127
6 жыл бұрын
sublime
@straussstrauss8242
5 жыл бұрын
La beautée impressionnant !
@zinam5795
Жыл бұрын
The Unique energy of any Tempo--that's helped for good Form!
@Titanandenceladus
6 жыл бұрын
Beautiful and surprisingly slow for Munch.
@erick-gd7wo
5 жыл бұрын
Oh yes, when i listened to his Bolero
@detectivehome3318
2 жыл бұрын
LISTEN TO THE DANSE GÉNÉRALE
@EcceHumanitatis
Жыл бұрын
The Danse Générale is hardly slow!
@RUETRUFFAUT
3 жыл бұрын
sublime Maestro
@EcceHumanitatis
Жыл бұрын
Wasn't he incredible!
@JohanHerrenberg
4 жыл бұрын
Tremendous, even without the chorus.
@EcceHumanitatis
Жыл бұрын
I wish they'd included the chorus, but even without it, wow!
@loiseaunoir1021
8 ай бұрын
LA REPRISE DU THEME À 2:41 VIENT D'UN AUTRE MONDE
@EcceHumanitatis
Жыл бұрын
Bernard Zighera and Lucile Lawrence on harps!
@worditupify
Жыл бұрын
/Hi! Where is this video from? Is there a place to get the hi quality audio?
@ursulaschlapbach311
Жыл бұрын
I think this is good quality
@ursulaschlapbach311
Жыл бұрын
Stupid
@kunsuker
4 жыл бұрын
It looks as if the Hellenes had a fierce fight on Danse générale!
@diegoruvalcabapena5240
2 жыл бұрын
a question why no more videos upload?
@MuzBuz
2 жыл бұрын
not have much time for this, sorry about it
@Mr-Prasguerman
2 жыл бұрын
12:23 ravel ?!?!?!
@Titanandenceladus
6 жыл бұрын
Anyone know who the female 2nd flute is?
@winrx
5 жыл бұрын
Chris Lovett Sorry but that young lady doesn't look like DAD......
@MrKlemps
4 жыл бұрын
Mr. Kershaw is correct. The other flute player IS Lois Schaefer, who was the BSO's piccolo player at the time. Doriot Anthony Dwyer was hired by Munch and appointed principal in 1950, the first woman appointed to a principal position in an American orchestra. It so shocked the orchestra's audience at that time that some people supposed there was some hanky panky between Munch and his principal flutist, which was not only untrue but tastelessly insulting to both of them. Munch chose her solely because he was bowled over by her playing and soon enough we all were!
@RobertCoulter
4 жыл бұрын
@@AudiophiliaChannel She was the greatest orchestral piccolo player of all time.
@pnocella
3 жыл бұрын
@@AudiophiliaChannel Correct!
@donaldallen1771
3 жыл бұрын
@@lovettboston I believe you are incorrect on two counts. That is not Doriot Anthony Dwyer. I met her several times and that is not her. Furthermore, she became principal flute in 1952, eight years before this performance (you said "she later became principal flute", which is incorrect). Apparently she didn't make the trip to Japan and Pappoutsakis was in the principal's chair for this concert.
Where's the chorus?! Munch can beat time as furiously as he wants. Still, the excitement isn't there, the climaxes are never fully realized unless there is a chorus. Period!
@formalynoza5948
2 жыл бұрын
The keyword is 'Suite No.2' and work it out the rest.
@EcceHumanitatis
Жыл бұрын
Cost a pretty penny to fly an entire chorus over to Tokyo in 1960... I miss the chorus too, but Munch is doing a hell of a lot more than beating time. Have you ever watched him rehearse?
@timw2498
2 жыл бұрын
They played well, in spite of the bad conducting.
@detectivehome3318
2 жыл бұрын
*wild
@Infidelio
Жыл бұрын
That “bad’ conducting is why they play well. Troll.
@EcceHumanitatis
Жыл бұрын
Sure, Jan.
@caseywlamb8066
5 ай бұрын
No way you called Charles Munch a bad conductor---literallly widely regarded as the best conductor of french music ever
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