In the world of antique ceramics, there exist treasures that not only tell stories of craftsmanship but also reflect the currents of history. Among these, are the rare and early group of blue and white Delftware objects. Objects erroneously attributed in the early 20th century to a faience manufactory in Frankfurt-am-Main, Germany. Specialists in the field have, partly literally, uncovered compelling evidence leading to the confident re-attribution of these pieces to their rightful origin: Delft, between circa 1660 and 1680.
Between 1630 and 1640, a remarkable transformation swept through the Dutch pottery scene. Porcelain wares of unparalleled quality were imported into Holland by the East India traders, sparking a wave of inspiration among Delft potters. These exquisite pieces, known as 'transitional wares,' marked a turning point in artistic expression.
The term 'transitional' mirrors the political changes unfolding in China. With the Ming Dynasty giving way to the Qing Dynasty, Delft potters found themselves captivated by the new aesthetic possibilities. Unlike their predecessors, the Kraak-ware, which featured divisions in panels, the transitional wares broke free from tradition. They embraced a continuous landscape, teeming with life and movement. These scenes often depicted lively landscapes, adorned with animals and figures engaged in spirited action or conversation.
One notable example, the largest of these objects standing close to 60 cm. or about 23 in. high, was sold to the Phoenix Art Museum in 2014. Similar examples to that one are at the Rijksmuseum in Amsterdam and at Musée national de Céramique in Sèvres.
Today, these rare and early blue and white Delftware objects continue to captivate collectors and scholars alike, serving as tangible links to a rich and vibrant history. Each piece tells a story, not just of craftsmanship, but of a world in flux.
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