Terrifik! Guided listening sessions is what we’ve been missing all these years. Thank you.
@ravanvaran
8 ай бұрын
This breakdown of Ustadji’s performance is such an awesome learning experience! I’m going to have to watch this more than once to take all of it in!
@RVHello
9 ай бұрын
Will be cool if you can analyze an AAK+RS jugalbandhi. I was lucky enough to see your dad at his college a couple of times when I was living in the bay area. My friend used to take classes there for a couple of years.
@anjishnu1991
10 ай бұрын
As a non-expert, my journey of classical music is for a large part through Maihar gharana. This is a great deconstruction for people like us. Malkauns is an eternal late night companion. Thank you for this video. Please keep up this work. Hoping to listen you live someday.
@_manikkhan
10 ай бұрын
Wah! This is so special. I only recently decided to start putting these videos out, and the feedback and shared experience are so touching to read/hear. Thank you for taking the time to share this. Absolutely, you're welcome. I sure would like to play live for you soon! 🙏🏽
@avikbhaumik5684
4 ай бұрын
I absolutely get what you were trying to say at 15:46. What i think is Ustadji carefully slid his finger back up till dha..waited for the sound to die and then he left the string so that it doesn't ring pa.. truly ingenious 🫡🫡
@CineMutt
7 ай бұрын
Fascinating insights!
@_manikkhan
6 ай бұрын
Thank you very much for listening/watching, and taking the time to share that 🙏🏼
@umehta1954
9 ай бұрын
Genius of baba & you being blessed to receive & exhibiting is soulful to listen to.
@findingmomo95
Жыл бұрын
Thank you so much for this video. Please do more of these. Also, you made it so approachable and conversational, which was awesome :D
@KGSinghSF
11 ай бұрын
Great video to know, thanks
@jasonguthrie3515
11 ай бұрын
Manik, this is so beautiful! I’m kind of at a loss for words, you’re helping me appreciate and understand the music so much better. I was captivated the whole video!
@ericboberic
9 ай бұрын
Hey! thanks so much for this video series... i was thinking of creating something similar because Indian Classical Music is so gorgeous, but you need help getting into it (like bebop, it takes work to be able to appreciate its beauty). Now that I see you've done it, I'll just direct people to your videos! hehehe I hope you keep doing it - great work and very valuable. Thanks :)
@soumitralahiri100
10 ай бұрын
So well explained. Looking forward to more analysis like this.
@_manikkhan
10 ай бұрын
That is great to know! And you’re in luck, for there are 2 more right now. I’m working on another for next week hopefully.
@soumitralahiri100
10 ай бұрын
@@_manikkhan Thanks a lot. Really looking forward to enjoying these videos. 😄🙏
@jigneshmacharya
11 ай бұрын
So beautiful video made- please make such more videos
@_manikkhan
11 ай бұрын
Thanks so much 🙏🏼 I really appreciate this. I actually just put another one up - this time focusing on a concert of Ustad Amir Khansahib singing Raga Bageshri.
@JivrajNoor
11 ай бұрын
Superbly enlightening ...for a non specialist I have always wondered how the moods are created and played and the interaction worked...this is excellent and a unique way of building insight .... shukriyah janaab and look forward immensely to insight development of the greats ..keep up the excellent work ...someday in London or in Mumbai we will get a chance to hear you in concert
@_manikkhan
11 ай бұрын
This is such a touching comment, and truly appreciated. Thank you for taking the time to share this. Looking forward to getting to play for you in person 🌸🙏🏼🌸
@vikramjmukherjee
Жыл бұрын
Thank you Manik dada, hope you do more of these!
@_manikkhan
Жыл бұрын
Of course, Vikram bhai! Thanks for checking this out. I'm planning on it. I have a couple years of these sitting on hard-drives.
@AntarblueGarneau
8 ай бұрын
❤
@TheJimmartens
Жыл бұрын
I honestly feel I have to watch this two more times to even come close to understanding half of it. But, I enjoyed it all the same.
@_manikkhan
Жыл бұрын
Ahh, that's really helpful feedback. There is definitely a challenge in keeping a balance between being accessible to newer listeners and more advanced students/players. If you walked away with some new (and/or) deeper understanding/appreciation for a part of the music though, that's the best 🙌🏼
@ibraheemtalash5094
5 ай бұрын
Can you apply meend and kan between any sur you want?
@_manikkhan
Ай бұрын
Do you mean within a given raga? There will definitely be rules for notes that are stronger or weaker within a given melody. In Malkauns for example, we have to be careful to not show Pa. Re is also not there, but sometimes the slides show a slight hint of it. Depending on the raga we have to more careful sometimes, or for others we can have more freedom. However, if you’re talking about music free from raga rules, then that’s a whole other story. You could be exploring all kinds of notes in between. People debate on the amount of swaras we have. Many agree on 22. However, my dadu would talk about 25-27, but these notes would not necessarily be appreciated by most listeners. Pretty fascinating to me. All that to say, we have many notes in between the notes, so meend and andolin is one way we can bring them to life. I hope this helps at least a little 🙏🏼
@SatantonioRaider
Ай бұрын
Why did I ever choose college over a REAL EDUCATION @ AACM :-(
@_manikkhan
Ай бұрын
@@SatantonioRaider Haha, nah nah 🙏🏼 Our dad always said it was never too late. I mean, it’s all within reason for what our goals are, but the music is always there - waiting! Are you in the Bay? We have the archive at the school. It is all of dad’s teachings for approx. 40 years - digitally archived. There is a small version of it online @ www.aliakbarkhanlibrary.com. If you can come in person though, all the lessons are there in the archive for anyone.
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