Every single second is a lesson Moser is giving. Stunning.
@xanthippe9757
Жыл бұрын
Who can`t love Edda Moser and her great voice! Very amazing!
@aetion
Жыл бұрын
I do second! She is outstanding.
@artdanks
15 жыл бұрын
I REMEMBER hearing this VERY broadcast LIVE! I was in High School, and had always had a huge crush on the Queen of the Night, anyway! But when I heard Edda Moser in the role...I knew I found TRUE LOVE!!!! To this day, I believe her to be the epitome of the Queen of the Night, to whom no one even comes near!....BRAVA , EDDA MOSER!!!!!
@luanllluan
3 жыл бұрын
she's the only to truly put nuance to the role and not only to exaggerate or bet merely in the high notes part, marvelous [omg, a comment from 12 years ago!]
@PensadorProfundo42
3 жыл бұрын
Edda's "take no prisoners" approach is fabulous.
@jmiller05
10 жыл бұрын
An absolute marvel of an instrument. Spinto power with nimble High F's. Incredible.
@jimbuxton2187
3 жыл бұрын
A true Dramatic Coloratura soprano.
@tonyhan0903
15 жыл бұрын
Tell me about it. She's fiery and fierce. Her Der Holle Rache is full of passion. Forget Diana Damrau. She's also a great queen of the night but still nowhere near as great as Edda Moser.
@andysbg77
10 жыл бұрын
Edda Moser once said: the queen is a deeper part, with some high notes!
@ThomasRink
13 жыл бұрын
Edda Moser ist als KÖNIGIN DER NACHT - für mich - die Beste! Keine andere Sängerin hat diese Partie so intensiv interpretiert und so mächtig gesungen! Ich habe sie in Hamburg in der Rolle noch gehört und gesehen.... fabelhaft!
@schneevongestern9898
4 жыл бұрын
To me, edda Moser belongs to the greatest later 20th century soprano voices. Like callas, schwarzkopf, Nilsson, flagstad, Sutherland, callas, gruberova, ferrier, many others. Her timbre is so dark, hooty, rich in overtones and undertones, huge and commanding, and that well up until the high D or Eb. Her voice when used at full power and full intensity sounds like a mixture of trumpet, cello and flute. In my mind at least. Her sound really was miraculous, naturally. And her dark and dry speaking voice also gives a strong proof of that dark and deep quality. I love her.
@raigekimaru
14 жыл бұрын
she sounds like a wagnerian soprano. I love her dark, haunting timbre all the way through her range.
@draganvidic2039
3 жыл бұрын
Dark coloured lyric soprano
@suzabella68
7 жыл бұрын
The less famous aria from The Magic Flute, but probably even more difficult. All those runs, and Edda does them with ease. And remember, this recording is live--wow!! She is indeed the Queen of the Night!!
@colin8770
6 жыл бұрын
Most power performance I've heard!
@assindiastignani
13 жыл бұрын
@AmericanEvita This was no small voice. A beautiful woman, a superb artist and an incredibly musical interpreter. There is a reason why she was Karl Böhm's favorite Donna Anna - which I once heard her sing in a cast that included Cesare Siepi, Fernando Corena, Theresa Zylis-Gara and Stuart Burrows, conducted by Dr. Böhm himself. Those, as they say, were the days.
@artdanks
14 жыл бұрын
THe epitome of the Dramatic Coloratura! BRAVA!
@agamemna
13 жыл бұрын
Sie hat einfach alles: wunderbare Stimme, tolle Gesangstechnik, klare Diktion, Musikalität, Kraft + emotionale Intelligenz in höchstem Maße. Sie ist der Bob Beamon der "Königinnen der Nacht".
@elisabetta611
15 жыл бұрын
That frigging huge voice! The BEST Queen of the Night!
@frb1808
2 жыл бұрын
SHE PUTS THE DRAMATIC IN THE COLORATURA. In fact, she sounds darker and bigger here compared to Callas, Sutherland, and Nilsson.
@organumstroch
13 жыл бұрын
Superbe, le top du top, aucune ne l'égale. Tout y est : intensité, dramatisme, couleur. La plus grande reine de la nuit avec une grande voix. Merci madame Moser
@GoldinDr
12 жыл бұрын
I could listen to this over and over.
@robert111k
5 жыл бұрын
La mejor Reina de la Noche desde que existen grabaciones. Grande Moser.
@Lindow
15 жыл бұрын
Hands down the best queen of the night ever. That's what they used to call a dramatic coloratura soprano. Where are they these days I wonder...
@luceafarul579
4 жыл бұрын
Singing got better. Nobody is allowed to sing with wobbly uncontrolled unconnected legatos compromising tonality anymore. You’re welcome
@user-gt7xs1fc6g
Ай бұрын
@@luceafarul579 Better than what? There is no one better than Moser in this role nor was there anyone better at the time she recorded this, including Sutherland.
@luceafarul579
Ай бұрын
@@user-gt7xs1fc6g nope, Luciana Serra, beats her by a mile it’s not even comparable.
@timopragod
15 жыл бұрын
This is as amazing as I remember it! Nothing like this today!
@robert111k
4 ай бұрын
Nothing like this ever.
@eradesso
15 жыл бұрын
Unrivalled! She's THE Queen of the Night!
@MMotta-mk8uq
2 жыл бұрын
Lindíssima voz...
@blulinx
7 жыл бұрын
No words ......
@wilsonwatt9283
5 жыл бұрын
From the very first note we know that this is an angry Goddess confronting someone or something even if you do not know the story or the German. I would be afraid of this Queen and her power which is exactly the effect this aria should have. She is manipulative, seductive, and angry in equal parts. She shows no weakness as she is a goddess. Sarastro is lucky he has help dealing with this Queen. The best ever in this role.
@MMotta-mk8uq
2 жыл бұрын
A voz dela tem o peso que esse papel exige.
@marie-armelle458
10 жыл бұрын
incroyable et magnifique
@leoperarm
15 жыл бұрын
yes^^ fortunately, Edda is still with us!
@draganvidic2039
3 жыл бұрын
Lovely dark lyric soprano with great facility for coloratura...
@billcarr54
12 жыл бұрын
This comes as close to perfect as I've ever heard this sung ! thanks for posting this.
@violetta47
7 жыл бұрын
Wonderful
@vijaypush
15 жыл бұрын
La + admirable Reine de la nuit
@LibertyValance777
7 жыл бұрын
esta mujer es fantástica!!! Genial!!! Maravillosa.
@forallyouknow
15 жыл бұрын
Moser had a very powerful voice, extending all the way up to that Fa. If you look around in KZitem, you'll find the 'Ma che vi fece' aria. She has a long, sustained Fa there, too, towards the end.
@jjh2456
12 жыл бұрын
Did you hear how she held the F6. Nobody does that anymore.
@luceafarul579
4 жыл бұрын
Nope many people do it. But yes the entire opera is just about that one note.
@vijaypush
12 жыл бұрын
the queen of the queen
@killerbunny123123
15 жыл бұрын
3:50 till the end...this part just KILLS me...how AMAZING is Edda...
@SteelyPhil37
11 жыл бұрын
This is amazing. 'Nuff said.
@leoperarm
16 жыл бұрын
It was at the Metropolitan Opera NY, with Peter Maag conducting :-)
@SilfredoSerrano
Жыл бұрын
So mezzo like!
@violetavalery
14 жыл бұрын
Couldn't agree more!! :-)
@Roll587
15 жыл бұрын
I could not agree more!
@OLIVCHEN77
13 жыл бұрын
She is defentily the best Interpreter of this horrible role.....She has dramatic & Voice, perfect diction and dighity Brava
@tone1981
14 жыл бұрын
i'm with you on this one
@jefftam1234
14 жыл бұрын
can't put it better myself i can't listen to any other ones only she can portray the vengeful queen, boiling with hatred, dripping with fury.
@Csanfer14
14 жыл бұрын
Wow!
@leoperarm
16 жыл бұрын
hahaha! Thank you! ;)
@leoperarm
16 жыл бұрын
Yes, that's what they do! They give us an incredible cast, and spend almost nothing in the stage (decorations, furniture, customes) so that they gain more and more selling expensive tickets for 'cheap' productions.
@leoperarm
16 жыл бұрын
hahaha, que graciosita! ¬¬
@leoperarm
16 жыл бұрын
si!!! Y estamos divididos^^
@leoperarm
16 жыл бұрын
mmm, La reina y Donna Anna!
@sagaluke
14 жыл бұрын
@MastersoftheOpera i agree Moser is great , but you cannot ignore Deutekom at all ...
@ChuckNYC71
15 жыл бұрын
Amen!
@happyactor6
12 жыл бұрын
Moser and Rita Shane are the only two women who I can recall singing the high F with vibrato successfully. Lyric Coloraturas just don't it for me in this role. This is a role for a truly substantial voice.
@ChuckNYC71
15 жыл бұрын
BraaaaaaaaVA!!!
@FranzBlumVan1890
11 жыл бұрын
I agree
@alwaysnew189
3 жыл бұрын
🌟🌟🌟🌟🌟🌹🌹🌹🌹🌹💙💙💙💙💙
@quequitoAR
4 жыл бұрын
Surrender to the full power of The Queen of the Night!
@leoperarm
16 жыл бұрын
Está bien así ^^
@KatieOKeefe
12 жыл бұрын
@billyguns2 I just listened to Sutherland's version. It is good. But the fabulous Ms. Moser is still the Queen.
@Rigoletto2010
14 жыл бұрын
Tout à fait çà;jusqu'à là,pour moi,la meilleure Reine de la nuit !La vraie couleur,la bonne largeur.Bien,bien,bien...
@juph2006
13 жыл бұрын
@gromiting Stimmt!
@leoperarm
16 жыл бұрын
that's it! I haaaaaaaaaaate it, also La Clemenza with Roschmann and Kasarova, I mean, I simply don't like them! Anyway, we can have our differences :-P
@leoperarm
16 жыл бұрын
Si, hubiera escogido don Ottavio, pero me parezco mas a Masetto ;-P
@FranzBlumVan1890
11 жыл бұрын
I agree LOL
@JuanYusteDelValle
15 жыл бұрын
But didn't Sutherland sing it without transpositions while she was young?
@gromiting
14 жыл бұрын
@sagaluke she didn't transpose the F. She was a Dramatischer Koloratursopran, and could easily sing the F. What might have confused you, is the fact that some coloraturas would sing a tad higher than the F, to balance out their lack of low notes.
@sagaluke
14 жыл бұрын
@tetasdevirgen sutherland only did it for a very short time always transposed down - the F ...? but she was great in belcanto of course
@leoperarm
16 жыл бұрын
Pamino! xDDDDDDD Dejalo así, no queda nadie más, no? ;-)
@suryavarmanvii
13 жыл бұрын
Sutherland did record it, not as well.
@jasonhurd4379
5 жыл бұрын
Transposed down. Cheating. Never sings a high F the whole time.
@leoperarm
16 жыл бұрын
si^^ mas o menos, ahora falta ver quien la escoge xDDDDD
@marianaiturra2065
6 жыл бұрын
Es un área demasiado dificil. Nadie la interpreta mejor que Christina Deutekom. Nadie
@johnsarkissian5519
2 жыл бұрын
¿Nadie? Yo pienso que Moser es la mejor intérprete de esta aria. Deutekom también está excelente. Pero Moser canta con mucha pasión. Deutekom está menos dramática.
@raigekimaru
13 жыл бұрын
@billyguns2 Joan Sutherland has sung it =) she and Edda Moser are the best in this aria, though they sound quite different
@jasonhurd4379
5 жыл бұрын
They sound different because Sutherland transposed both arias down: the Act I aria a half tone, from B flat major to A major, and the Act II aria a whole step, from d minor to c minor.
@leoperarm
16 жыл бұрын
xDDDDDD Pro si el puede yo también y deciudo ser Sarastro!!!
@leoperarm
16 жыл бұрын
Casi siempre es mejor el grabado en estudio... Pero es muchísimo mas dificil hacerlo en público...
@leoperarm
16 жыл бұрын
lo de mala ya lo sabía, no t preocupes xDDDDD
@leoperarm
16 жыл бұрын
De nada 'Madamina' XDDDD
@leoperarm
16 жыл бұрын
Ah si??? pk? No sabía k contaba la flauta m'agica xDDD
@leoperarm
16 жыл бұрын
Masetto por desconfiado y listo XDDDDDDDD
@leoperarm
16 жыл бұрын
Bueno... Ese apodo no te lo sabía, pero si te pareces mucho cuando te tocan a tu Natalie! xDDDDDDDD
@leoperarm
16 жыл бұрын
'Eurotrash' LOL I'didn't knew that! Well... they are not trash, but I don't think Mozart or Vivaldi would like what is happening to their works ;)
@sagaluke
14 жыл бұрын
@billyguns2 i am afraid to inform you that the Queen was not a good prestation by mrs Sutherland - even a tone down transposed ...
@leoperarm
16 жыл бұрын
Por que papageno?
@GermanOperaSinger
14 жыл бұрын
This aria is where the lyrical side of the Queen would do some good. Moser is not as 'gentle' as she needs to be here, and the fioratura is not very clean. However, in the Queen's second aria I've never heard anyone sing better than her. She sings the epitome of a vengeful Queen with powerful and dramatic vocal delivery.
@leoperarm
16 жыл бұрын
hahaha! Of corse, the Met has always had some of the best opera productions! not like the ones in Salzburg and other places in Europe, taht turned out to be really weird, I don't like them :-P
@leoperarm
16 жыл бұрын
Prefiero don Ottavio, parece un chico muy tranquilo xDDD
@FranzBlumVan1890
11 жыл бұрын
Callas never sang this
@creutzfeldtjakob7
6 жыл бұрын
Franz Blum Van because she never did the role 😁😁😁
@FranzBlumVan1890
6 жыл бұрын
She couldn't in fact
@KosM987
6 жыл бұрын
SMD , you precious little queen
@pziolk
5 жыл бұрын
@@FranzBlumVan1890 LOL, why would Callas even bother with singing this part? Anyway, in great shape she could do anything on high E (e.g. in Lakme) both sustained and staccato, then why doubt her ability to do handel the Queen with only 3 F's. It's not about screeching these F's like a kitten, but taking them with full voice which very few did, so SURELY she could screech them like most singers, but only God and maybe people who worked with her know if she could do it fully as well.
@jjh2456
4 жыл бұрын
Paweł Ziółkowski Callas could get to the F6. She knew she couldn’t and therefore didn’t try to sing the role. In fact the only Mozart role she sang was Kostanze and that was just once. She knew she would never attain the Mozart vocal line needed to sing his operas so she avoided them.
@lissandrafreljord7913
7 жыл бұрын
Hmm, I think she vocally embodied the Queen of the Night in Der Holle Rache, but in O Zittre Nicht, I must say Luciana Serra and Cristina Deutekom are my favorites. Their melismas sounded really crisp and well articulated, though Deutekom tends to use her glottal gobble. Lol. Edda kinda slurred through some of the melismas and needed to incorporate some of the H sounds to make her melismas well articulated. Maybe its because her voice is more dramatic than the other two singers, so it might be harder for her, but who am I to judge. I barely know shit about singing.
@jasonhurd4379
5 жыл бұрын
'H sounds', or aspirates, are considered a big no-no in proper singing. Nowadays everyone uses them, but in the days of people who sang WELL, no one would dare.
@leoperarm
16 жыл бұрын
Papageno y Don Giovanni no combinan! Pero por algo lo dices xDDDDDDD
@RWMBA3
14 жыл бұрын
forget both of them--Rita Shane is the BEST!!!!!
@jjh2456
12 жыл бұрын
The Queen was the only coloratura role Sutherland did not sing well.
@raigekimaru
12 жыл бұрын
@DrRyan87 I disagree, it's one of her worst works, but I still think she sounds amazing. Moser takes the cake though, the way she can switch between dramatic soprano and light coloratura in the same song PS: giving birth to a pineapple LMAO! XD
@luceafarul579
4 жыл бұрын
Stereotypical Uncontrolled wobbly singing using wide vibratos to cover lack of tonality and connectivity in sustaining those legatos.
@Bumblebeebeebee
3 жыл бұрын
What a ridiculous, stupid and untrue comment
@luceafarul579
3 жыл бұрын
@@Bumblebeebeebee at least I had arguments.
@Bumblebeebeebee
3 жыл бұрын
@@luceafarul579 No. You never had any, you just made something up. Just everything you wrote was wrong. And stupid.
@luceafarul579
3 жыл бұрын
@@Bumblebeebeebee nope. Why would I “make something up” for no reason? There are singers who have much better control than this performance, with smooth legato, long breathes, and connectivity of phrases, such as Luciana Serra, Kathryn Henwick, or Natalie Dessay, and im sure many others. Edda Moser is good with the coloratura notes in the second aria, but she lacks the Mozartian legato to be able to sing the first one. The first one is not supposed to be shrieked in such an over the top dramatic way. Mozart’s music is almost always on the lyrical side. You need a singer who can sing lyrical opera well to be able to sing anything mozart. Edda Moser was only famous because people in her time just don’t know how to sing lyrical opera well compared to the generation after her. They take many breathes in middle to sustain loud volumes, as that’s really what pretty much solely mattered during those times, and maintain wide vibratos, many times wobbly and uncontrolled, to sustain the expandability of the volume. None of these I just”made up” but it’s the conclusion I drew from listing to hundreds of different recordings from different periods. But I’m sure your view is just completely objective not emotionally based whatsoever just because she’s one of your favs. Prove me wrong. Good luck.
@WongAndrew_
3 жыл бұрын
@@luceafarul579 Edda Moser is probably one of the true Mozart interpreters, together with Arleen Auger and other few greats.
@vanzofaust
9 жыл бұрын
No real interpretation, no color nuances. Not worried about the words, just about churning out the voice.
@vincenzoanzoletti6776
9 жыл бұрын
vanzofaust Beautiful voice, but I agree with you, here the Queen of the night should sound sorrowful for her daughter's abduction, instead here Edda is only singing the text with no feeling, perhaps she didn't feel like interpreting, perhaps she was annoyed... What a pity!!!!
@krowapaulinka4351
7 жыл бұрын
Actually this IS the interpretation. Edda always said that Queen of the Night is for her a cold, completely un-human being who lacks emotions other than anger and the desire of power. That was her interpretation of the role.
@creutzfeldtjakob7
7 жыл бұрын
true,,, apparently people who thought they are better than these artists will criticize but the thing is if they are better, where are they? what have they been doing,, go on stage and sing this song,,, its just matter of taste for listeners, if it is not ur cup of tea just look for some other singer and not criticize others,,, just find someone u love listening to, thats our job as listeners leave the interpreting and all technical stuff to the singr and her conductor
@luceafarul579
4 жыл бұрын
Creutzfeldt Jakob we heard better artists. Thankyouverymuch. This is old type of singing where for the sake of expanding the vocal singers were allowed to have wide wobbly legatos, breaking up legato phrases to get more breath to shriek more sound out, and compromising tonality. We don’t have to be world class opera singers, we can hear the improvement over the years with technique with newer world class singers. Sorry. This is simply terrible. The singers at my school, other than not being able to hit the couple of high notes as well as her, are singing at this level.
@luceafarul579
4 жыл бұрын
+vanzofaust I agree, but you can’t blame her really because this is how opera used to be like. We should be glad how much singing has improved over the decades. When I listen to old recordings, the older I go the more terrible they get. Not that nowadays it’s perfect either, there has been a slight decline, but during the golden age of opera-late 60s to early 90s, you just can’t compare. So many talents, so many better singing than this
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