Venice emerged as a unique and different school during the High Renaissance period called 'Cinquecento'. Venetian artists loved to paint the color and light reflected by the water surrounding their city. Of course, this visual richness of water also created disadvantages for them. Painters could not make frescoes like other Italian artists because of the intense humidity. But thanks to the water, they both added light to the picture and invented the canvas, which is used by stretching on a frame, since they could not paint on the wall. Thus, they became a turning point in the history of painting. The important names of the formation, also known as the Venetian School, were improving themselves by following Gentile Bellini and his older brother Giovanni Bellini, who portrayed the Conqueror. Paolo Veronese was one of these artists. We can even say that he was one of the greatest masters of the High Renaissance. He was known not only for his works reflecting European culture and faith, but also for his series of Ottoman Sultans. The Ottoman sultans he depicted were somewhat different from the portraits of sultans we are accustomed to seeing. The works he inspired were Ottoman miniatures brought to Europe in the early 16th century. So how did he paint the sultans? This part is a little confusing. While the Ottoman sultans of the Founding Era were depicted in softer and more normal lines, the portraits of the sultans of the ascendant era, which began with Fatih, were somewhat different.
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